One way, of course.
Friday, December 18, 2009
Heading Home
One way, of course.
Last Class
Japan's Year in Words
First among the top ten phrases of 2009 was 'change of government', an expression British people are likely to be using too in 2010. Further down the list were words more often used by my students: 'new type flu', 'soshoku danshi', or herbivorous men, after the growing numbers of young Japanese males with no discernible interest in sex, and 'reki-jyo' (history women), a reaction to this among pretty Japanese girls who now look back to the warring Samurai period in search of their ideal partners.
Leaving Hiroshima
Miyajima
Daishin Temple was, by contrast, an oasis of peace. Water tumbled gently into rock pools, there was the slow tinkle of coins in a donation box, Koi swam in lazy circles around a pond completely still except for the movement of the light. From the highest point of the temple you could see right back across the bay.
Thursday, December 17, 2009
The Symbolic Emperor
"The empty centre around which everything spins," the American journalist Patrick Smith called the institution of the Japanese Emperor. "Hollow vessels into which anything can be placed and so given meaning". We are now, going by the gengo calendar which still marks time according to imperial reigns on commuter cards, restaurant receipts and the mastiffs of newspapers, in the year of Heisei 30, yet mention of the Emperor's given name, Akihito, leaves every Japanese person I know completely bemused and even the title of his reign, which translates as Achieving Peace, brings only the mildest of recognition. "His father was Hirohito," I persist. "Showa. He married a diplomat called Michiko."
"Oh yeah, I think I know her," said one of my students eventually. "Didn't she go to Oxford University?"
"Oh yeah, I think I know her," said one of my students eventually. "Didn't she go to Oxford University?"
Hiroshima Castle
Toyofumi Ogura - Letters from the End of the World.
As it got dark I walked over the moat to Hiroshima Castle, the five-storey concrete reconstruction of a fortification that had stood since 1599. There were stone ruins nearby which I took to be the remains of a feudal donjon but turned out to be the foundations of a military barracks, all that was left of the Imperial General Headquarters. A party of Australian teenagers stood by the door, debating the entrance fee.
I crossed what was the West Parade Ground. There was a gold embossed shrine and an A-bombed willow tree, split evenly at the base. An elderly man dressed all in white jogged slowly round the moat.
Shukkeien
It was very crowded, and to distinguish the living from the dead was not easy, for most of the people lay still, with their eyes open...The hurt ones were quiet; no-one wept, much less screamed in pain; no-one complained; none of the many who died did so noisily.
John Hersey - Hiroshima.
Hiyijima Hill
All around me was a vast sea of smoking rubble and debris, with a few concrete buildings rising here and there like pale tombstones, many of them shrouded in smoke. That's all there was, as far as the eye could see.
The hills of Koi are still there. The Kyobashi River too. The rest of the city rises once more in innumerable steel and concrete spikes. Even the daffodils are almost in bloom.
The Atomic Bomb Dome
Schoolboy's memoir from Children of the Atomic Bomb.
Rudolph the Red Nosed Reindeer was playing softly as I came up from the underground shopping mall. It was shortly before nine in the morning, around half an hour and sixty-four years since the first atomic bomb exploded in a soundless, camera-flash burst six-hundred metres above my head. The whole of Surakagu, an amusement and commercial district at the hypocenter of the bomb, was instaneously obliterated.
A decorative metal fence, camphor trees and a riverside footpath circle what remains of the old Industrial Promotion Hall. Bits of twisted metal crown its top, balustrades hang like broken teeth, ending in mid-air. Weeds grow through the jumbled assortment of rubble on the ground, the shell of the building was stripped off like paper, leaving naked, bubbled, brick. A low wall marks the centre of the building. The sides are all caved in.
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